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Intelectuales apolíticos

Una traduzione inglese trovata qui (ma non attribuita a Langston Hughes)
Intelectuales apolíticos
APOLITICAL INTELLECTUALS
(Continues)
Contributed by B.B. 2019/5/12 - 21:39
Downloadable! Video!

La ballata di Franco Serantini

La ballata di Franco Serantini
The ballad rewritten in English by Riccardo Venturi, 07-05-2019 09:53
La ballata riscritta in inglese da Riccardo Venturi
La ballade réécrite en anglais par Riccardo Venturi
Riccardo Venturi sopeutti laulun englanniksi



Francesco (Franco) Serantini was born in Cagliari on Sardinia on 16th July 1951 and abandoned at birth. He was given both his names by an official of a literary bent or a priest or policeman who had seen in the paper recently mention of the Romagnol writer of the same name, an author of picturesque novels, one of which was I Bastardi.

He was adopted at the age of two by a childless couple. After the death of the adoptive mother he went to live with his maternal grandparents at Campobello di Licata. At the age of 9, he was transferred to an institution in Cagliari.

In 1968 he was sent to the Institute for the Observation of Minors and from there to the Pietro Thouar reformatory... (Continues)
THE BALLAD OF FRANCO SERANTINI
(Continues)
2019/5/7 - 09:57
Video!

Celebravamo cantori anonimi

Celebravamo cantori anonimi
The song adapted in English by Riccardo Venturi
Adattamento della canzone in inglese di Riccardo Venturi
Adaptation de la chanson en anglais par Riccardo Venturi
Riccardo Venturi sopeutti kappaleen englanniksi
06-05-2019 06:31
WE CELEBRATED NAMELESS SINGERS
(Continues)
2019/5/6 - 06:32
Video!

Lavorare per il male

Lavorare per il male
It was actually not difficult because all the catchphrases of the business slang were translated at Reverso Context
WORKING FOR EVIL
(Continues)
2019/5/5 - 18:39
Downloadable! Video!

Global Seed Vault

Global Seed Vault
Riccardo Venturi, 03-05-2019 20:11

Some considerations. Humans, who have always been committed to self-destructing and destroying everything that lives on their planet, occasionally notice what they are doing and try to remedy it. Certainly, the Svalbard Global Seed Vault is a very important, meritorious, extraordinary and intelligent work; but what leaves a bitter taste in the mouth, is that there was a need for such a thing to preserve a natural heritage belonging to everyone, and with "everyone" I mean life in its whole, not only human life but also animal life of any type and life of the plants themselves, because their seeds belong mainly to them. A heritage that some say it was given by Nature itself, others by some form of god or supernatural entity, but which in any case - and this must be pointed out - needs to be protected from nuclear conflicts, aircraft collisions, Arctic ice... (Continues)
GLOBAL SEED VAULT
(Continues)
2019/5/3 - 20:12
Downloadable! Video!

L'ora d'aria

L'ora d'aria
the letter of a detained, chronicle of a suicide foretold."
ONE HOUR OF AIR
(Continues)
Contributed by Dq82 2019/5/2 - 10:35
Downloadable! Video!

Varjele Jumala soasta

Anonymous
Varjele Jumala soasta
PRAYER AGAINST WAR
(Continues)
Contributed by Juha Rämö 2019/4/30 - 15:40
Downloadable! Video!

Pianeta verde

Pianeta verde
Riccardo Venturi, 27-04-2019 22:02
GREEN PLANET
(Continues)
2019/4/27 - 22:02
Downloadable! Video!

L'Internationale

L'Internationale
INGLESE / ENGLISH 8
La versione del Socialist Labor Party of America
The version of Socialist Labor Party of America
1911

Di questa antica versione americana, che differisce da tutte le altre storiche in lingua inglese, dà notizia marxists.org nella sua pagina dedicata all'Internazionale. Fu pubblicata da Labor News Co., 45 Rose St., New York City (S.L.P.) nel 1911; nel 1912 fu pubblicata sul Daily People, all'interno di un editoriale del leader del partito di allora, Daniel De Leon, intitolato The “Damned Men of Toil”. L'autore non è indicato. La versione sembra essere stata associata particolarmente al Socialist Labor Party of America; fondato nel 1876 e ancora in attività, è il secondo partito socialista ancora esistente più vecchio al mondo. La versione fu pubblicata ancora il 26 aprile 1924 dal Weekly People. Una sua ulteriore particolarità è quella di essere intitolata The International... (Continues)
The International
(Continues)
Contributed by Riccardo Venturi 2019/4/27 - 10:54
Downloadable! Video!

Poesia facile

Poesia facile
Sonya Gray Redi
InTranslation / Poetry by Dino Campana

Dino Campana (1885-1932) was an innovative Italian poet. His controversial writings are captured in his only published book of poetry, the emotionally intense and visionary Canti Orfici (“Orphic Songs”). The prime Italian example of a poète maudit, Campana battled mental health problems from an early age and spent a great deal of his youth in and out of lunatic asylums and traveling across Europe. An autodidact, he taught himself several languages and became part of the thriving literary scene in Florence. He composed the poems for Canti Orfici sometime between 1906 and 1913, and self-published them in 1914. Shortly after, Campana began a notorious and tumultuous love affair with Sibilla Aleramo, the author of Una donna. In 1918, Campana was admitted to a psychiatric hospital near Florence where he remained until his death in 1932. His remains were given a proper burial in 1946 in a ceremony attended by many Italian intellectuals, including Eugenio Montale and Carlo Bo.
EASY POEM
(Continues)
Contributed by Riccardo Venturi 2019/4/24 - 20:22
Downloadable! Video!

Jag hatar patriarkatet

Jag hatar patriarkatet

Note. The following is no “translation” of the Swedish song, but rather a complete rewriting prepared (and sung) by Jan Hammarlund himself. From: Jan Hammarlund, Alla mina sånger (All my Songs), Skördemåne AB 2005, page 102. [RV]
I HATE THE PATRIARCHY
(Continues)
Contributed by Riccardo Venturi 2019/4/22 - 10:51

America

America
[2013]
Parole e musica di Shawn Phillips
Nell'album intitolato "Perspective"
Testo trovato sul sito ufficiale dell'autore e sul fan site
America They’re taking your liberty
(Continues)
Contributed by Bernart Bartleby 2019/4/14 - 14:49

I’m an American Child (on a Nuclear Pile)

I’m an American Child (on a Nuclear Pile)
[1978]
Parole e musica di Shawn Phillips
Nell'album intitolato "Transcendence"
Testo trovato sul sito ufficiale dell'autore e sul fan site
I was born in Fort Worth, Texas with a silver spoon
(Continues)
Contributed by Bernart Bartleby 2019/4/14 - 14:34
Downloadable! Video!

Wailing Wall

Wailing Wall
[1976]
Parole e musica di Shawn Phillips
Nell'album intitolato "Rumplestiltskin’s Resolve"
Testo trovato sul sito ufficiale dell'autore e sul fan site
A wailing wall
(Continues)
Contributed by Bernart Bartleby 2019/4/14 - 14:23
Downloadable! Video!

Mr. President

Mr. President
[1974]
Parole e musica di Shawn Phillips
Nell'album intitolato "Furthermore..."
Testo trovato sul sito ufficiale dell'autore e sul fan site
Great God! What do you see
(Continues)
Contributed by Bernart Bartleby 2019/4/14 - 14:09

Ninety Two Years

Ninety Two Years
[1974]
Parole e musica di Shawn Phillips
Nell'album intitolato "Furthermore..."
Testo trovato sul sito ufficiale dell'autore e sul fan site
Ninety two years of progress is beginning to decry the toil
(Continues)
Contributed by Bernart Bartleby 2019/4/14 - 14:06
Downloadable! Video!

8500 Years

8500 Years
[1971]
Parole e musica di Shawn Phillips
Nell'album "Collaboration", con Paul Buckmaster e Peter Robinson
Testo trovato sul sito ufficiale dell'autore e sul fan site
For 8500 years it’s churning
(Continues)
Contributed by Bernart Bartleby 2019/4/14 - 13:41
Video!

For R.F.K., J.F.K., and M.L.K.

For R.F.K., J.F.K., and M.L.K.
[1970]
Parole e musica di Shawn Phillips
Nell'album "Contribution"
Testo trovato sul sito ufficiale dell'autore e sul fan site
On a bright murky Tuesday dawning
(Continues)
Contributed by Bernart Bartleby 2019/4/14 - 12:11

Theme From the March on Washington

Theme From the March on Washington
[1965]
Parole e musica di Shawn Phillips
Nell'album "Shawn", riedito l'anno seguente con il titolo "First Impressions"
Testo trovato sul sito ufficiale dell'autore e sul fan site

Featuring Steve Winwood on piano and Jim Capaldi on drums.

(B.B.)
From the lowest prairie to the highest sea
(Continues)
Contributed by Bernart Bartleby 2019/4/14 - 11:28
Downloadable! Video!

Doesn't Anybody Know My Name

Doesn't Anybody Know My Name
[1963]
Una canzone scritta da Rod McKuen e nota nella versione di Waylon Jennings del 1966. Interpretata anche da Shawn Phillips nel suo album d'esordio, "I'm a Loner" (1964)
I've been away so long
(Continues)
Contributed by Bernart Bartleby 2019/4/14 - 11:10
Downloadable! Video!

Su comunisti della capitale

Anonymous
Su comunisti della capitale
COME ON, COMMUNISTS OF THE CAPITAL
(Continues)
Contributed by ZugNachPankow 2019/4/14 - 11:06

Nobody Listens

Nobody Listens
[1964]
Parole e musica di Shawn Phillips
Nel suo album d'esordio, "I'm a Loner", pubblicato nel 1965

Una canzone dedicata al grande cabarettista ed autore satirico americano (ed ebreo) ‎Lenny Bruce (1925-1966).
Well the senate's in order, they're callin' the roll
(Continues)
Contributed by Bernart Bartleby 2019/4/14 - 10:43
Downloadable! Video!

Song for Northern Ireland

Song for Northern Ireland
[1974]
Parole e musica di Shawn Phillips
Nell'album intitolato "Furthermore..."
Come to thee, the peace, on a green and lovely island
(Continues)
Contributed by Bernart Bartleby 2019/4/14 - 10:26
Song Itineraries: Conflicts in Ireland
Downloadable! Video!

The World Is Rated X

The World Is Rated X
[1972]
Scritta da Ezra Bolton, Marilyn McLeod, Mel Bolton e Robert Gordy
Una canzone presente in molte compilation successive alla morte di Marvin Gaye, avvenuta nel 1984 per mano del padre Marvin Pentz Gay Sr.
Il brano doveva però fare parte di un album, "You're the Man", che rimase nei cassetti della Motown e che è stato riesumato solo di recente per essere pubblicato lo scorso 29 marzo.
Testo ripreso da Genius
Oh, the world's situation should be Rated X, Rated X
(Continues)
Contributed by Bernart Bartleby 2019/4/13 - 23:13
Song Itineraries: War on Earth
Video!

Blood and Bones

Blood and Bones
Songs of our Native Daughters (Smithsonian Folkways, 2019)

Amythyst Kiah, vocals, 5-string banjo, and percussion;
Rhiannon Giddens, backing vocals, minstrel banjo, and percussion;
Allison Russell, percussion;
Jamie Dick, drums and percussion;
Dirk Powell, electric guitar and percussion;
Jason Sypher, bass and percussion

La voce di Kiah diventa ancora protagonista in “Blood and Bones” scritta di suo pugno.  
blogfoolk.com

The chorus to this song had been floating around in my head, given life by my voice and banjo, but it didn’t really have a home in a song. I wrote it not long after reading reports and watching videos of white nationalists feeling more confident about asserting their views after the election of Donald Trump in 2016. There’s “not enough steel to reconcile” our humanity and our sense of selves. The verses were inspired by both a photo I saw of a black slave child... (Continues)
Blood and bones are what we're made of
(Continues)
Contributed by Dq82 2019/4/13 - 18:03
Video!

Better Git Yer Learnin’

Better Git Yer Learnin’
Songs of our Native Daughters (Smithsonian Folkways, 2019)

Rhiannon Giddens, vocals and minstrel banjo;
Jamie Dick, percussion;
Dirk Powell, fiddle;
Jason Sypher, bass

La melodia di “Better Git Yer Learnin’ è attribuita al banjoista ottocentesco Thomas F. Briggs, ma al testo originario, pieno di luridi stereotipi razzisti, le nostre hanno sostituto liriche considerando il punto di vista di uno schiavo emancipato.  
blogfoolk.com

The tune for this song is attributed to the banjo performer Thomas F. Briggs, found in a banjo method book published in 1855 entitled Briggs’ Banjo Instructor. It provides an early glimpse into that first truly American cultural sensation, the minstrel show. These tunes were published with no words, which gave me the opportunity to engage with them as pieces of music with no baggage. After learning quite a few, I braced myself to read the original lyrics,... (Continues)
When I was just a little pick (*)
(Continues)
Contributed by Dq82 2019/4/13 - 17:56
Video!

Mama’s Cryin’ Long

Mama’s Cryin’ Long
Songs of our Native Daughters (Smithsonian Folkways, 2019)

Rhiannon Giddens, vocals and handclaps;
Amythyst Kiah, vocals;
Allison Russell, vocals;
Leyla McCalla, vocals;
Jamie Dick, percussion

Il call & response a quattro voci, hand clapping e il battito percussivo di Dick esaltano “Mama’s Cryin’ Long”, portata in stile prison working song, e ispirata a racconti di schiavi: una donna violentata dal suo sorvegliante bianco finisce per ucciderlo; la prospettiva adottata è quella del figlioletto.
blogfoolk.com

This song was inspired by a collection of slave narratives; in the story, a woman, after being repeatedly abused by the overseer, kills him. Nobody knows who has done it until her son is overheard singing a little song about the blood on her dress. It’s very much written from the child’s viewpoint. — RG
Dal libretto dell'album
Mama’s cryin’ long and she can’t get up
(Continues)
Contributed by Dq82 2019/4/13 - 17:46
Video!

I Knew I Could Fly

I Knew I Could Fly
Songs of our Native Daughters (Smithsonian Folkways, 2019)

Leyla McCalla, vocals and guitar;
Rhiannon Giddens, minstrel banjo;
Allison Russell, backing vocals;
Dirk Powell, mandolin

L’altra ex Carolina Chocolate Drops, Leyla McCalla, è la lead singer in “I Knew I Could Fly”, tutta voci e corde (chitarra, minstrel banjo e mandolino), dedicata a Etta Baker, chitarrista, esponente del Piedmont blues, la quale abbandonò la sua carriera dopo il matrimonio e nove figli, incidendo solo in età matura, dopo la morte del marito che le aveva impedito di esibirsi.  
blogfoolk.com

Alli and I co-wrote the lyrics to this song, thinking of discrimination and how it has shaped our American experience; as we were writing the words, we realized that they could equally apply to the life and legacy of Etta Baker.
I used to practice guitar to Etta Baker’s album Railroad Bill. Etta was a Piedmont blues... (Continues)
I didn’t know why
(Continues)
Contributed by Dq82 2019/4/13 - 17:39
Video!

Quasheba, Quasheba

Quasheba, Quasheba
Songs of our Native Daughters (Smithsonian Folkways, 2019)

Allison Russell, vocals and 5-string banjo;
Rhiannon Giddens, backing vocals and min- strel banjo;
Leyla McCalla, cello;
Jamie Dick, drums and percussion;
Dirk Powell, baritone electric guitar;
Jason Sypher, bass

“Quasheba, Quasheba”, firmata da Allison Russell (già con Birds of Chicago e Po’ Girls), è l'esplorazione della sua linea familiare autobiografica indietro fino ai tempi della tratta. 
blogfoolk.com

I met my biological father, Michael George, and my paternal family when I was 30 years old. I learned that I am a first-generation Canadian on my father’s side. He was born and raised in Grenada, one of 13 children. I found out that ours is a family that values education deeply. I found out that we have a historian in the family who has traced our line back to an enslaved woman named Quasheba, who was sold off the... (Continues)
Quasheba, Quasheba
(Continues)
Contributed by Dq82 2019/4/13 - 17:22

Oi sodan surkeutta

Anonymous
Oi sodan surkeutta
O MISERABLE WAR
(Continues)
Contributed by Juha Rämö 2019/4/13 - 13:17
Downloadable! Video!

John Henry

Anonymous
John Henry
This is the hammer killed John Henry
(Continues)
Contributed by Dq82 2019/4/12 - 11:41
Video!

Black Myself

Black Myself
Songs of our Native Daughters (Smithsonian Folkways, 2019)

Amythyst Kiah, vocals and guitar;
Rhiannon Giddens, backing vocals and minstrel banjo;
Leyla McCalla, backing vocals;
Allison Russell, backing vocals;
Jamie Dick, drums and percussion;
Dirk Powell, electric guitar and accordion;
Jason Sypher, bass

Dai versi finali della stessa “John Henry”, nella versione del “musicista delle colline” Sid Hemphill, il bluesman compositore e pluristrumentista registrato da Alan Lomax, arriva il titolo del R&B di apertura, “Black Myself”, scritto da Kiah, la più giovane del quartetto, esponente del alt-country blues, nativa del Tennessee, che lo interpreta con la sua voce soul. 
blogfoolk.com

This song was inspired by a line from north Mississippi hill country musician Sid Hemphill’s “John Henry:”

I don’t like no red-black woman Black myself, black myself

This sentiment is linked... (Continues)
I wanna jump the fence and wash my face in the creek
(Continues)
Contributed by Dq82 2019/4/12 - 11:34
Video!

Polly Ann's Hammer

Polly Ann's Hammer
Songs of our Native Daughters (Smithsonian Folkways, 2019)

Amythyst Kiah, vocals and 5-string banjo;
Rhiannon Giddens, backing vocals and fiddle;
Jamie Dick, drums;
Dirk Powell, guitar;
Jason Sypher, bass

Per capire meglio in cosa consistano riappropriazione e rovesciamento di punti di vista, partiamo dagli stilemi folk di “Polly Ann’s Hammer” – guidata dal violino di Giddens – che riscrive il tradizionale “John Henry”, storica protest song sullo sfruttamento dei lavoratori, qui centrata sulla vedova di John, che appare nella parte finale della canzone originale («John Henry had a woman / Well her name was Polly Ann /Well John Henry took sick and he had to go to bed / Well and Polly drove steel like a man (well, well)/ Well and Polly drove steel like a man»). Nella riscrittura delle Daughters, Polly si appropria del martello con cui è stato ha ucciso il marito e ne fa un simbolo... (Continues)
John Henry had a woman
(Continues)
Contributed by Dq82 2019/4/12 - 11:23
Downloadable! Video!

לֹא-יִשָּׂא גוֹי

Anonymous
Nation shall not lift up sword against nation,
(Continues)
Contributed by Juha Rämö 2019/4/11 - 15:09
Video!

En sång till modet

En sång till modet
Erik Stinus (2004) / Roger Hinchliffe (2019)

A SONG TO COURAGE
(Continues)
Contributed by Riccardo Venturi 2019/4/11 - 11:28

Trouble With Jesus

Trouble With Jesus
Broadside #97, March-April 1969

Ed. Note: Peter Irsay,who resembles the wanted man below,wrote this song when Dr. King was murdered. Peter is 22,was born in N.Y.C.,has been writing songs as long as he can remember. He is currently recording an L-P for Tetragrammaton.
All churchgoers and believers
(Continues)
2019/4/10 - 23:16
Song Itineraries: Martin Luther King
Video!

A Child of Our Time

A Child of Our Time
[1939-1941]
Oratorio laico in 3 parti e 30 brani
Libretto e musica di Sir Michael Tippett (1905-1998)
Prima esecuzione: Teatro Adelphi, Londra, 19 marzo 1944
Direttore: Walter Goehr

Secular oratorio in 3 parts and 30 pieces
Libretto and music by Sir Michael Tippett (1905-1998)
First execution: Adelphi Theatre, London, 19 March 1944
Director: Walter Goehr

Oratorio séculaire en 3 parties et 30 pièces
Textes et musique de Sir Michael Tippett (1905-1998)
Première exécution: Théâtre Adelphi, Londres, 19 mars 1944
Directeur: Walter Goehr

Maallinen oratorio 3 osassa ja 30 kappaleessa
Libretto ja sävel: Sir Michael Tippett (1905-1998)
Ensimmäinen juoksu: Adelphin Teatteri, Lontoo, 19. maaliskuuta 1944
Johtaja: Walter Goehr



Italiano
English
Français


A Child of Our Time è un oratorio laico del compositore inglese Michael Tippett (Londra, 2 gennaio 1905 - Londra, 8 gennaio 1998),... (Continues)
(Continues)
Contributed by Riccardo Venturi 2019/4/10 - 09:02
Downloadable! Video!

La chanson de Craonne

Anonymous
La chanson de Craonne
en.wikipedia : La chanson de Craonne


La Chanson de Craonne (English: The Song of Craonne) is an anti-military song of World War I written in 1917. The song was written to the tune of Bonsoir M'Amour (Charles Sablon), sung by Emma Liebel. It is sometimes known by the first line of the chorus, Adieu la vie (Goodbye to life).

This song was sung by the French soldiers who mutinied (in sixty eight of the one hundred and ten divisions of the French Army) after the costly and militarily disastrous offensive of General Robert Nivelle at the Chemin des Dames, spring 1917.

The song was prohibited in France until 1974. Even though an award of 1 million francs and the immediate honorable release from the army were offered for revealing the maker, the original author of the song remained unknown.

These revolts brought about severe reprimands, notably by General Philippe Pétain, who was named on 17... (Continues)
THE SONG OF CRAONNE
(Continues)
2019/4/9 - 05:06
Downloadable! Video!

Anthem

Anthem
[2018]
Scritta da Josh, Jake e Sam Kiszka e Danny Wagner
Da "Anthem of the Peaceful Army", album d'esordio della band "familiare" di Frankenmuth, Michigan.

Non che i Greta Van Fleet abbiano introdotto chissà quale innovazione nel panorama musicale di questi ultimi anni, anzi, sembrano proprio degli epigoni dei Led Zeppelin... Questa poi mi pare che plagi parecchio la famosirrima What's Up dei 4 Non Blondes... Però i Greta non se la cavano malaccio e questa canzone, forse un po' banalotta, come testo e come musica, è però in qualche modo una CCG/AWS...
With the news, there's something every day
(Continues)
Contributed by Bernart Bartleby 2019/4/7 - 21:09
Song Itineraries: Anthems and Anti-Anthems
Downloadable! Video!

Φύσα αγέρα

Anonymous
Φύσα αγέρα
Riccardo Gullotta
BLOW, WIND
(Continues)
Contributed by Riccardo Gullotta 2019/4/7 - 14:12
Downloadable! Video!

4th of July

4th of July
Scritta da Dennis Wilson e Jack Rieley, cantata da Carl Wilson. E' una canzone ispirata al giorno della festa dell'Indipendenza americana, alle speranze e alle cadute del sogno americano di costruire una società migliore, libera, pacifica, tollerante, profondamente democratica.
[1971]
Un brano rimasto fuori dall'album "Surf's Up" e poi ripreso nella compilation "Good Vibrations - Thirty Years Of The Beach Boys" del 1993.

(B.B.)
Born of the age
(Continues)
Contributed by Andrea Bernini 2019/4/6 - 23:46
Downloadable! Video!

Απόψε θα πλαγιάσουμε

Anonymous
Απόψε θα πλαγιάσουμε
Riccardo Gullotta
TONIGHT WE’LL LIE DOWN
(Continues)
Contributed by Riccardo Gullotta 2019/4/6 - 16:58




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