Irving Berlin

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Irving BerlinIrving Berlin (May 11, 1888 – September 22, 1989) was an American composer and lyricist, and one of the most prodigious American songwriters in history. Berlin was one of the few Tin Pan Alley/Broadway songwriters who wrote both lyrics and music for his songs. Although he never learned to read music beyond a rudimentary level, with the help of various uncredited musical assistants or collaborators, he eventually composed over 3,000 songs, many of which (e.g. "God Bless America," "White Christmas," "Anything You Can Do," "There's No Business Like Show Business") left an indelible mark on American music and culture. In addition to his individual songs, he also composed 17 film scores and 21 Broadway scores.

Berlin was born Israel Isidore Baline to an Ashkenazi-Jewish family in Mogilev, now Belarus (according to other sources possibly in Tyumen, Russia). His family immigrated to the United States in 1893. His parents were Leah (Lena) Yarchin and Moses Baline; his father was a rabbi who obtained work certifying kosher meat.

Following the death of his father in 1896, Irving found himself having to work to survive. He did various street jobs, including selling newspapers and busking. The harsh economic reality of having to work or starve was to have a lasting effect on the way Berlin treated money. While working as a singing waiter at Pelham's Cafe in Chinatown, Berlin was asked by the proprietor to write an original song for the cafe because a rival tavern had had their own song published. "Marie from Sunny Italy," with music by Nick Nicholson, the cafe's pianist, was the result, and it was soon published. Although it only earned him 37 cents, it gave him a new career, and a new name: Israel Baline was misprinted as "I. Berlin" on the sheet music.

Berlin first worked solely as a lyricist and only began to attempt to compose music when a misunderstanding arose concerning his lyric "Dorando." He tried to sell the lyric to someone who assumed he had music to go with it. Although at the time he could play no instrument at all, he endeavored to come up with some with the help of an arranger. Throughout his career Berlin relied on musical "assistants" or collaborators. Cliff Hess worked for Berlin in this way from approximately 1912 to 1917 and was succeeded by Arthur Johnston and then Helmy Kresa. None of these musicians were ever credited as co-composers.

Many of his earliest songs, among them "Sadie Salome (Go Home)," "That Mesmerizing Mendelssohn Tune," and "Oh How That German Could Love," enjoyed modest success in sheet music form, as recordings, on the vaudeville stage, or as interpolations into stage shows, but it was "Alexander's Ragtime Band," written in 1911, that launched his career as one of Tin Pan Alley's brightest stars. Richard Corliss, in a Time Magazine profile of Berlin in 2001, wrote:

Alexander's Ragtime Band (1911). It was a march, not a rag, and its savviest musicality comprised quotes from a bugle call and Swanee River. But the tune, which revived the ragtime fervor that Scott Joplin had stoked a decade earlier, made Berlin a songwriting star. On its first release, four versions of the tune charted at # 1, # 2, # 3 and # 4. Bessie Smith, in 1927, and Louis Armstrong, in 1937, made the top 20 with their interpretations. In 1938 the song was # 1 again, in a duet by Bing Crosby and Connee Boswell; another Crosby duet, this time with Al Jolson, hit the top-20 in 1947. Johnny Mercer charted a swing version in 1945, and Nellie Lutcher put it on the R&B charts (# 13) in 1948. Add Ray Charles' brilliant big-band take in 1959, and "Alexander" had a dozen hit versions in a bit under a half century.

After the success of "Alexander," Berlin was rumored to be writing a "ragtime opera," but instead he produced his first full-length work for the musical stage, "Watch Your Step" (1914), starring Vernon and Irene Castle, the first musical comedy to make pervasive use of syncopated rhythms. A similar show entitled "Stop! Look! Listen!" followed in 1915.

In 1917, during World War I, he entered the United States Army and staged a musical revue Yip Yip Yaphank while at Camp Upton in Yaphank, New York. Billed as "a military mess cooked up by the boys of Camp Upton," the cast of the show consisted of 350 members of the armed forces. The revue was a patriotic tribute to the United States Army, and Berlin composed a song entitled "God Bless America" for the show, but decided against using it. When it was released years later, "God Bless America" proved so popular that suggestions were made that it should become the National Anthem. It remains to this day one of his most successful songs and one of the most widely-known in the United States. A particularly famous rendition occurred after the terrorist attacks of September 11, 2001, when members of the United States Congress stood together on the steps of the United States Capitol and sang Berlin's song.[5] Some songs from the Yaphank revue were later included in the 1943 movie This Is the Army featuring other Berlin songs, including the famous title piece, as well as a rendition of "God Bless America" by Kate Smith. Berlin himself sang "Oh, How I Hate to Get Up in the Morning." His natural singing voice was so soft that the recording volume had to be increased significantly in order to record acceptably.

After the war, Berlin built his own theater, the Music Box, as a showplace for annual revues featuring his latest songs; the first of these was "The Music Box Revue of 1921." The theater is still in use, incidentally. Though most of his works for the Broadway stage took the form of revues — collections of songs with no unifying plot — he did write a number of book shows. The Cocoanuts (1925) was a light comedy, with a cast featuring, among others, the Marx Brothers. Face the Music (1932) was a political satire with a book by Moss Hart, and Louisiana Purchase (1940) was a satire of a Southern politician, obviously based on the exploits of Huey Long. As Thousands Cheer (1933) was a revue, also with book by Moss Hart, with a theme: each number was presented as an item in a newspaper, some of them touching on issues of the day. The show yielded a succession of hit songs, including "Easter Parade," "Heat Wave" (presented as the weather forecast), "Harlem on My Mind," and perhaps his most powerful ballad, "Supper Time," a haunting song about racial bigotry that was unusually weighty for a musical revue and was sung by Ethel Waters in a heartrending rendition.

During World War II, after receiving permission from General George Marshall, Berlin organized an all-soldier revue in the spirit of Yip Yip Yaphank. This Is the Army opened on July 4, 1942, with a cast of over 300 servicemen, and ran for three years, first on Broadway, then on tour in the United States, and then abroad. The US Army Soldier Show still exists today.

1999 Broadway RevivalBerlin's most successful Broadway musical was Annie Get Your Gun (1946), produced by Richard Rodgers and Oscar Hammerstein II. Loosely based on the life of sharpshooter Annie Oakley, the music and lyrics were written by Berlin, with a book by Herbert Fields and his sister Dorothy Fields. Berlin had taken on the job after the original choice, Jerome Kern, died suddenly. At first he refused to take on the job, claiming that he knew nothing about "hillbilly music," but the show ran for 1,147 performances. It is said that the showstopper song, "There's No Business Like Show Business," was almost left out of the show altogether because Berlin wrongly got the impression that Rodgers and Hammerstein did not like it. Annie Get Your Gun is considered to be Berlin's best musical theatre score not only because of the number of hits it contains, but because its songs successfully combine character and plot development.

Berlin's next show, Miss Liberty (1949), was a relative flop. Call Me Madam (1950), with Ethel Merman portraying the famous Washington hostess Perle Mesta, fared somewhat better, but his last show, Mr. President (1962), was such an unmitigated disaster that Berlin essentially retired from the public eye.

In 1927, one of Berlin's songs, "Blue Skies," a hit from 1926, was featured in the first feature-length talkie (motion picture with sound) (previous talkies were shorts only), The Jazz Singer, in which it was sung by Al Jolson. Top Hat (1935) was the first of a series of distinctive film musicals pioneered by Berlin that featured popular and attractive performers (such as Bing Crosby, Fred Astaire, Judy Garland, and Ginger Rogers), light romantic plots, and a seemingly endless string of his new and old songs. Other films of this sort included On the Avenue (1937), Holiday Inn (1942), Blue Skies (1946), and Easter Parade (1948). The film version of This Is the Army (1943), which featured Berlin himself singing "Oh, How I Hate to Get Up in the Morning," was a success, but film versions of several of his stage musicals, including Annie Get Your Gun (1950) and Call Me Madam (1953), were somewhat less successful than his written-for-Hollywood shows.

White Christmas, 1995 re-release CD album coverHoliday Inn introduced "White Christmas," one of the most-recorded songs in history. First sung in the film by Bing Crosby, it sold over 30 million copies when released as a record. The song was re-used as the title theme of the 1954 musical film, White Christmas, which starred Crosby, Danny Kaye, Rosemary Clooney, and Vera-Ellen. Crosby's single of "White Christmas" was recognized as the best-selling single in any music category for more than 50 years until 1997, when Elton John's tribute to Diana, Princess of Wales, "Candle In the Wind," overtook it in a matter of months. However, Crosby's recording of "White Christmas" has sold additional millions of copies as part of numerous compilation albums, including his best-selling album Merry Christmas, which was first released as an LP in 1949.

The most familiar version of "White Christmas" is not the one Crosby originally recorded for Holiday Inn. Crosby was called back to the Decca studios on March 19, 1947, to re-record "White Christmas" as a result of damage to the 1942 master due to its frequent use. Every effort was made to reproduce the original Decca recording session, once again including the John Scott Trotter Orchestra and the Ken Darby Singers. The resulting re-issue is the one that has become most familiar to the public.

His friend and fellow songwriter Jule Styne said of him, "It's easy to be clever. But the really clever thing is to be simple."[6] Asked to define Berlin's place in American music, Jerome Kern said he had none: "Irving Berlin is American music."

Dorothy Goetz's grave (Forest Lawn Cemetery, Buffalo, NY)Berlin was married twice. His first wife, singer Dorothy Goetz, sister of songwriter E. Ray Goetz, contracted pneumonia and typhoid fever on their honeymoon to Cuba, and died five months after their wedding in 1912 at the age of twenty. Her death inspired Berlin's song "When I Lost You," which became one of his earliest hits. Curiously, a year before Dorothy Berlin's death, Irving Berlin, E. Ray Goetz, and Ted Snyder co-wrote a song called "There's a Girl in Havana."

His second wife was Ellin Mackay, a devout Irish-American Catholic and heiress to the Comstock Lode mining fortune, as well as an avant-garde writer who had been published in The New Yorker. They were married in 1926, against the wishes of both his family, who objected to religious intermarriage, and her father, Clarence Mackay, a prominent Roman Catholic layman, who disinherited her.[7] Without a dispensation from the Church, the two were joined in a civil ceremony on January 4, 1926, and were immediately snubbed by society: Ellin was immediately disinvited from the wedding of her friend Consuelo Vanderbilt, although Vanderbilt was not a Catholic. Finances were not a problem, however: Berlin assigned her the rights to his song "Always" which yielded her a huge and steady income.

The couple had three daughters—Mary Ellin Barrett, Linda Emmett, and Elizabeth Peters —and a son, Irving Berlin, Jr., who died as an infant on Christmas Day.

Berlin's patriotism was real, and deep. Too old for military service when his country entered World War II in 1941, he devoted his time and energy to writing new patriotic songs, such as "Any Bonds Today?," donating the proceeds from This Is the Army to the army itself, and entertaining the troops with a road company of that show, in which he was a member of the cast. After performances in the United States, the show played in London in 1943, at a time when the city was still under air attack from Germany. After a tour of the British Isles, the show went on to North Africa and then Italy, playing in Rome only weeks after that city was liberated. Next came the Middle East and the Pacific, where performances often took place in close proximity to battle zones. In recognition of this important and courageous contribution to troop morale, at war's end Berlin was awarded the Medal of Merit by President Truman.

A political conservative, Berlin supported the presidential candidacy of General Dwight Eisenhower, and his song "I Like Ike" featured prominently in the Eisenhower campaign. In his later years he became conservative in his views on music, as well; he had no use for the new styles sweeping through American popular music in the 1950s and 1960s, such as rock 'n' roll, and he virtually gave up songwriting after the failure of Mr. President in 1962. In 1968, Berlin was awarded the Grammy Lifetime Achievement Award. Becoming a virtual recluse in his last years, Berlin did not attend the 100th birthday party held in his honor. However, he did attend the centennial celebrations for the Statue of Liberty in 1986.

Berlin died of a heart attack in New York City at the age of 101 and was interred in the Woodlawn Cemetery in The Bronx, New York.



Irving Berlin, pseudonimo di Israel Isidore Baline (Bielorussia, 11 maggio 1888 - New York, USA, 22 settembre 1989), fu uno dei più importanti compositori statunitensi del Novecento. Fu l'autore di "God Bless America" e della notissima canzone di Natale "White Christmas", portata al successo da Bing Crosby.

I Baline (a volte traslitterato come Beilin), una famiglia di ebrei russi, emigrarono negli Stati Uniti nel 1893 e si stabilirono a New York. Israel aveva allora cinque anni. La morte del padre lo costrinse ad iniziare a lavorare ancora bambino. Per poter contribuire al sostentamento della famiglia fece vari lavori tra cui vendere i giornali o esibirsi come artista di strada.

Si avvicinò alla musica da autodidatta, dopo aver ricevuto i primi rudimenti in famiglia. Non imparò mai a suonare correttamente il pianoforte né a leggere la musica. In pratica usava solo i tasti neri, e per questo si fece costruire un piano speciale con pedali che gli consentivano di cambiare tonalità a piacimento senza spostarsi sulla tastiera. Un assistente si occupava poi della trascrizione degli spartiti delle sue composizioni.

Nel 1907 cambiò nome in Irving Berlin. Nello stesso anno venne pubblicata per la prima volta una sua canzone, "Marie from Sunny Italy", per cui ricevette un compenso di 37 cents. Esattamente lo stesso valore del francobollo commemorativo emesso in suo onore dalle poste statunitensi il 15 settembre 2002.

Il successo come autore di musical arrivò nel 1911 con la canzone "Alexander's Ragtime Band". Nel corso della sua lunghissima carriera, Berlin compose oltre un migliaio di canzoni per moltissimi spettacoli di successo a Broadway. Il suo maggior successo resta il musical Annie Get Your Gun, prodotto dal duo Richard Rodgers & Oscar Hammerstein II, ispirato alla vita di Annie Oakley e grande trionfo teatrale a partire dal 1946. Il musical include una delle più famose canzoni di Berlin, considerata a ragione un inno del mondo dello spettacolo, ossia "There's No Business Like Show Business", il cui testo è di Dorothy Fields.

Abbandonò gli spettacoli musicali nel 1962, dopo il fiasco del musical Mr. President.

Nell'estate del 1918, durante la Prima guerra mondiale, Berlin lavorava in una rivista musicale chiamata Yip Yip Yaphank, uno spettacolo patriottico destinato a raccogliere fondi per l'esercito degli Stati Uniti. In quei giorni compose una canzone per lo spettacolo, ma alla fine decise di non inserirla, perché il suo tono solenne strideva con lo stile da commedia del resto dello spettacolo.

Vent'anni più tardi, nell'autunno del 1938, la minaccia di una nuova guerra mondiale si faceva sempre più vicina. Irving Berlin decise di scrivere una canzone di pace, e pensò di recuperare quel vecchio pezzo mai pubblicato, facendo alcune modifiche per adattarlo ai tempi. Il brano fu trasmesso alla radio per la prima volta l'11 novembre 1938, cantato da Katie Smith: si trattava di "God Bless America", che divenne poi una delle canzoni patriottiche più amate negli Stati Uniti, quasi un secondo "inno nazionale".

Irving Berlin fu uno dei pochi grandi compositori americani ad avere un buon rapporto col cinema. Con l'avvento del cinema parlato venne subito chiamato ad Hollywood come compositore di canzoni e musiche da film. Nel primo film sonoro della storia del cinema, Il cantante di jazz (The Jazz Singer, 1927), c'è una sua canzone, "Blue Skies".

La sua collaborazione più proficua sarebbe stata con la coppia Fred Astaire & Ginger Rogers, per cui musicò alcuni dei loro musical migliori, quali Cappello a cilindro (Top Hat, 1935), che annovera motivi indimenticabili come "Cheek to Cheek" e "Top Hat, White Tie and Tails", Seguendo la flotta (Follow the Fleet, 1936), con l'indimenticabile "Let's Face the Music and Dance", e Girandola (Carefree, 1938), che include la canzone premio Oscar, "Change Partners".

Si racconta di come Berlin fosse un osso duro nella stesura dei contratti. Pretendeva infatti, oltre al naturale compenso, una proficua parte di percentuale sui profitti.

Fu per il film La taverna dell'allegria (Holiday Inn) che compose nel 1942 "White Christmas", per cui ricevette anche l'Oscar per la migliore canzone. Il 3 ottobre 1942 il brano, cantato da Bing Crosby, raggiunse il primo posto nella classifica americana. Da allora, il brano è sempre riapparso in classifica ogni anno per Natale ed ha venduto oltre 30 milioni di copie solo nella versione di Bing Crosby. Ne sono state pubblicate oltre 500 versioni diverse in decine di lingue, che ne fanno la canzone natalizia più incisa al mondo.

Irving Berlin si sposò la prima volta nel 1912 con Dorothy Goetz, sorella del compositore E. Ray Goetz. Il loro matrimonio durò pochissimo: durante la loro luna di miele a Cuba, Dorothy si ammalò di tifo e morì dopo soli 5 mesi. Per commemorare la memoria della moglie morta a soli 20 anni Berlin compose la struggente ballata When I Lost You.

Nel 1926 Irving Berlin si sposò in seconde nozze con Ellin MacKay.

Le nozze tra Berlin e la MacKay destarono molto scalpore: per la differenza di età (lui aveva 37 anni, lei 22), per il diverso credo religioso (lui ebreo, lei cattolica), e per la diversa estrazione sociale (lui figlio di poveri immigrati russi, lei figlia di un magnate delle telecomunicazioni). Il padre della sposa, contrario al matrimonio, arrivò a diseredare la figlia. Berlin, in risposta, assegnò alla moglie i diritti d'autore della canzone "Always", uno dei suoi pezzi più eseguiti.

La loro fu comunque un'unione solida e lunghissima, oltre sessant'anni di matrimonio, che si interruppe solo con la morte di Ellin MacKay nel 1988.

Irving Berlin morì l'anno dopo, a 101 anni.